Curated first temporary exhibition Past/Forward and coordinated core exhibition content, 2010-2011 for Qatar’s national museum re-opening. Collaboration with Ateliers Jean Nouvel architecture firm, content providers and interpretive planners. 

Guest curated  Know The Rules, Then Break Them, first wholly dedicated photography exhibition at di Rosa, Napa, CA, 2010-2011.

Developmental and editing for The Aral Sea, 2009, Radek Skrivanek's photo-documentary project exploring the legacy of the former Soviet regime and its destructive impact on Central Asia’s Aral Sea and local environment. 

Partner and co-curator in SUBJECT MATTERS, 2008-2009, a creative visual arts group dedicated to promoting cultural sustainability through the rental of contemporary art exhibitions to cultural and commercial venues.

Interpretive writing, editing, and developmental work, 2010-2012, on Jane Baldwin’s Kara Women Speak, a project that tells the story of indigenous people in Ethiopia's Omo River Valley though photographs and recorded interviews with women of the Kara tribe, 

Guest curated Innovation & Adaptation: Winery Architecture in the Napa Valley, 2007, examining how form and function influenced Napa winery architecture during different phases of the valley’s development, for the Napa Valley Museum, Yountville, CA.

Programmed Copia’s first photography exhibition Let’s Have Lunch, 2002, loaned from Bonni Benrubi Gallery, NY.

Guest curated Frames of Reference, a 2004 group show at the Center for Photographic Art, Carmel, CA. Shown: David Maisel, The Mining Project.

Curated Chuck Samuels's series Before the Camera  as part of group show, George Eastman House, 2012 exhibition date postponed. 

Guest curated Nobody Talks About It, 2004, photographer Bonnie Durrance’s chronicling of Britain’s foot and mouth epidemic and its effect on the lives and livelihoods of farmers and dairy families, at the Bolinas Museum, Bolinas, CA.